stories_of_salamin: (roosting books)
I've been struggling to fix on a project while The Disappearance is in beta. I'm...terrible at making decisions, and aside from the Turning, which is part of The Glass Nursery, I've been vascilating wildly between my infant books. This...is entirely new for me. Even though various plot bunnies bit me while I was writing The Disappearance (hence the pestilance of infant books) The Disappearancehas always been my heart project. There was never a question of what book child came first.

Help me oh f'list. How do I decide between one book child or another? How would you pick between the book children of your heart? Book children and twinkles in the eyes below:


A Brief History of the Enkanta - 2009 Nano project, A Brief History features matriarchal, dwende, aswang, colonial vampires, and the former struggling for agency and survival in world that's no longer theirs. 45,000 words, at present and possibly requires heavy duty editing.

The Glass Nursery - another story of the clash between aswang and European vampires. On the eve of her bi-centennial, the Infata Katalina is presented with a young aswang, an addition to the Glass Nursery where she keeps and exhibits the various young of the creatures of her empire. But prisoner as she is, the aswang is not powerless or without allies, and she plots to bring down the Infanta.

The Cuckoo Child (working title)- The Ciudad de Salamin is inflicted with a strange plague of otherworldly birds. When they fly over the Ciudad in their migratory paths, half human children are born, to the consternation of the city, and methods of detection, asylums and orphanages have been established to deal with the inhuman plague. Still, other families insist on keeping their cuckoo children, shielding them and the world from their cuckoo nature with disastrous consequences.

Persephone (working title)- In the streets of Salamin, a murdered young woman wanders through the streets, her mouth sewn shut with pearl threads, and no memory of who she had been, or what she has done.
stories_of_salamin: (jewels)
Every city has its shadow twin, where the lost and forgotten go, where creatures of myth and folklore still dwell. Manila is no different: the border between itself and its twin Salamin rests just above the Pasig river, bound by the tenements of heaven. There are precious few immigrants who walk from city to another, for they must cross the river, and the tenements and they must decide, in spite of everything, that they still want to live.

Like its sibling, Salamin is a sprawling city and its maps reveals streets as tangled and labyrinthian as cobwebs. Its inhabitants have built innumerable walkways to get from one building to another: walkways made of concrete and marble, others of rickety wood and twine. Folk ride aquiline through and under these skyways, and though their use of flight as transport are heavily regulated, those laws are rarely if ever obeyed. Aquiline, parol, payong and pamaypay are bred and raised, and Tsino families carry familiars that take the form of their birth year.

You might mistake it for a wonderland, if you were not raised there. But every fortune is built on someone’s heartbreak, someone’s despair, which immigrants and native-born inhabitants know too well.

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stories_of_salamin

May 2011

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